Publications & Presentations

Publications

“Things I Forgot to Tell You: The Forgotten Legacy of Phil Moore,” Black Camera, 9:1 (Fall 2017). https://www.jstor.org/stable/10.2979/blackcamera.9.1.15

“Archival Spotlight: Regeneration in Digital Contexts: Early Black Film.” Black Camera, 6:2 (Spring 2015). https://www.jstor.org/stable/10.2979/blackcamera.6.2.252

Indiana University PCC Non-MARC Authorities Issues Group [collaborator]. “Brief on the Future of Non-MARC Authority.” 2013. https://scholarworks.iu.edu/dspace/handle/2022/18401

“Descriptive Challenges of Audio Archiving,” Recorded Sound (Spring 2012). PDF: http://www2.archivists.org/sites/all/files/2012_Spring_RecordedSoundNewsletter.pdf

“Forced Listening: The Contested Use of Loudspeakers for Commercial and Ideological Messages in the Public Soundscape,” American Quarterly (Sept. 2011). https://www.jstor.org/stable/41237575

“The Untidy Reality of Complaints about Music: Reexamining the Power Relations of Sonic Disputes” Anthropology News, 51:9 (2010). https://anthrosource.onlinelibrary.wiley.com/doi/abs/10.1111/j.1556-3502.2010.51908.x

Liner Notes [editor and contributor] nos. 13-15 (2009-2011) [AAAMC annual newsletter]. https://aaamc.indiana.edu/Publications/Liner-Notes

“The Darker Side of Sound: Conflicts over the Use of Soundscapes for Musical Performances.” Thesis (Ph.D.)—Indiana University, Bloomington (2009). PDF: http://sonic-snacks.com/wp/wp-content/uploads/2019/01/The_darker_side_of_sound_Conf.pdf

Current Discography [compiler], Bloomington, IN: Society for Ethnomusicology.

“Sound Recordings and Ethnomusicology: Theoretical Barriers to the Use of Archival Collections.” ReSOUND 24:1-4 (2005). PDF (no. 1-2): https://scholarworks.iu.edu/dspace/bitstream/handle/2022/21439/resound-2005-01.pdf; PDF (no. 3-4): https://scholarworks.iu.edu/dspace/bitstream/handle/2022/21440/resound-2005-07.pdf

“Back to the Armchair: Sound Recordings as Information Sources in Ethnomusicological Research.” M.A. Thesis, Indiana University, Bloomington (2004). http://sonic-snacks.com/wp/wp-content/uploads/2019/01/rsewald_BackToTheArmchair_2004_MAThesis_IU.pdf

MLA International Bibliography of Books and Articles on the Modern Languages and Literatures. Vol. 5, Folklore [field bibliographer]. New York, NY: Modern Language Association of America (2001-2003).

 

Selected Presentations

“Phil Moore: Portland’s Forgotten Groomer of the Stars and Musical Genius.” Presentation at the Annual Conference of the Association for Record Sound Collections (Forthcoming, May 2019).

“The Music of Hoagy Carmichael and Phil Moore.” Collaborative presentation hosted by the Archives of Traditional Music (February 27, 2019).

“The Richard E. Norman and Race Filmmaking Collection.” Invited presentation to History of Media and Culture (MSCH-F 311) course (October 30, 2018). PowerPoint: http://sonic-snacks.com/wp/wp-content/uploads/2019/01/RichardENorman_Caddo_20181030.pptx

“Phil Moore and the Film Industry.” Invited presentation to Music for Film (MUS-Z 315) course (September 17, 2018). PowerPoint (large file): http://sonic-snacks.com/wp/wp-content/uploads/2019/01/Phil-Moore-and-the-Film-Industry.pptx

“How to Work with an Archivist/Special Collections Librarian” [co-presenter]. Invited keynote presentation at the IUB Libraries’ Primary Source Immersion Program (July 25, 2018). PowerPoint: http://sonic-snacks.com/wp/wp-content/uploads/2019/01/BFCAIDSlide_PrimarySourceImmersion_2017August.pptx

Noon curator talk [co-presenter] for “The Wunderkammer: The Curiosities in Indiana University Collections,” Indiana University Grunwald Art Gallery, Nov. 18, 2015.

“Bang the Drum for Jesus: Civilian Uprisings against the Use of Musical Warfare by the Early Salvation Army.” Conference paper presented at the IU Cultural Studies Conference, Indiana, Bloomington, April 13, 2013. PowerPoint: http://sonic-snacks.com/wp/wp-content/uploads/2019/01/Bang-the-Drum-for-Jesus_final.pptx

“Sound Reasoning? Conceptualizations of Aural Documents and their Relation to Reality in Ethnomusicology.” Conference paper presented at the 39th World Conference of the International Council for Traditional Music, Vienna, Austria, July 4-11, 2007. PDF: http://sonic-snacks.com/wp/wp-content/uploads/2019/01/Sewald_2007_SoundReasoning_ICTMVienna.pdf

“Preservation Workflow: The Sound Directions Project at Indiana University,” A Workshop on the Preservation of Audio in the Digital Domain. Panel co-presented with George Blood, Mike Casey, Jon Dunn, and Paul Mahern at the 41st Annual ARSC Conference, Milwaukee, Wisconsin, May 2-5, 2007.

“Back to the Armchair: Reinstating Sound Recordings as Information Sources in Ethnomusicology.” Conference paper presented at the 50th Annual Meeting of the Society for Ethnomusicology, Atlanta, Georgia, November 16-21, 2005.

 

Sample Blog Posts

“Dan Burley and Phil Moore’s Bebop Christmas Classic, ‘Blink before Christmas,'” Black Film Center/Archive, December 19, 2017. https://blackfilmcenterarchive.wordpress.com/2017/12/19/dan-burley-and-phil-moores-bebop-christmas-classic-blink-before-christmas/

“BFC/A’S Josef Gugler Collection at Image Collections Online,” Black Film Center/Archive, December 6, 2017. https://blackfilmcenterarchive.wordpress.com/2017/12/06/bfc-as-josef-gugler-collection-at-image-collections-online/

“Supporting Archival Donations and Donors,” Media Digitization and Preservation Initiative Blog, June 15, 2017. http://blogs.iu.edu/mdpi/2017/06/15/supporting-archival-donations-and-donors/

“Deen You Know” [review], Black Grooves, March 6, 2009. http://blackgrooves.org/deen-you-know/